找回密码
 快速注册

QQ登录

只需一步,快速开始

查看: 21091|回复: 0

[作曲技巧] 怎样快速记谱(中英对照)

[复制链接]

6716

积分

10

听众

1618

金贝

中国原创歌词基地初级

积分
6716
geci888 发表于 2017-8-14 15:35:08 | 显示全部楼层 |阅读模式
How can I quickly memorize a piece?( W& J! m2 I0 e! _% K3 |! }

( ~. b3 I% P' J- ?/ AThere are many approaches to take, and it''s probably a good idea to use
; z" d) s. F) @8 Q5 _as many of them as possible.! Z; l- Q7 _# i' R5 \( ~  N2 Y
8 x% F, P% |6 _  _0 \" ?( z
First, try to learn what the large scale structure of the piece is. Is it' q- F6 I. ^$ V$ W9 H  U
binary? Ternary? Rondo? That way you are basically beginning by cutting
& t2 I! t7 c! K3 [( \it up into more manageable chunks.
$ @# H8 p; _. V" @, i& L
; j; {; p% C0 ?( X2 }: y- `Second, look for phrasing and other types of musical structures.* L  c( h# L$ @6 z0 x
8 Z0 w2 z3 \# I- j+ P8 u: E
Try to learn it by ear (can you sing the piece all the way through without
; u; O7 |2 n8 f" N! J; ~the music or the guitar?). This is easier for people who are more "aurally"$ v% \) U# Y8 K& s) j* q
orientated (like me).
+ u( t- {$ t' H+ m' I+ L! I  t& w4 n  @1 x6 L- a
If you are more "visual" try to memorize the page to as great an extent as! D' Z3 N& l# a( c7 o3 ~' }. Y
you can. The harp prof here gave a lecture about memory & learning
* u' H+ N% I2 \4 g  rtechniques, and said that visual memory really was more stimulated by8 z& [0 E. [0 Q4 T4 y
looking up (and to the left, I think) so if you can, try placing your music! w  B) M/ E& I8 ~- q5 ^
stand VERY high (for practice & learning) such that you are looking UP at
- [9 G. ]6 I+ u/ V+ ], Xthe music.
; ?$ E) Y+ W5 E) B9 h" A  }8 b* ]3 ]# B2 ^" t4 O- h
I knew many guitarists in Spain who memorized the solfege syllables - they
( N2 g0 ~8 c" P" l& Z% Gcould sing their pieces from start to finish (mi re mi fa mi re mi...)* x8 H6 ?, y8 S" a; R; t/ z& U

* t; S+ ?$ Z' e+ M1 {Try to memorize the piece starting at the back (This is a tip from David
1 [# c" C5 j" \Russell) - we always go from front to back, often bogging down, so usually,: v# Q. ?6 Z  \4 G9 Y8 Y- T$ b: c
the farther into a piece we go, the less familiar & comfortable it is. If
$ i- ?) F% ?1 i5 I* L: _+ Zyou learn the LAST measure, then the next to last measure, etc. you are
: S0 h% Y0 x2 Ysetting up a situation where the farther you go, the MORE familiar and
# J9 j, A* `3 scomfortable things are.6 b3 X( H. w; E4 l1 k. O/ @& k, O* n

* x% `: @) O7 p6 r6 _) f  r8 y3 U1 Y6 WThis also brings up the issue of learning single measures (apart from8 c$ k; p2 ~! Q5 A5 p# t$ M. _' n
whatever musical context they might have). Jose Tomas used this technique
9 z3 Y, i# a" i6 L% Gas a way for his students to learn 30 minutes of *new* repertoire in
9 N) f( b( x6 x- ^% z1 month: at the beginning, make a learning plan, in which you assing
6 U6 L: b; E+ ]$ k5 k  R& d" |, g$ [yourself X measures to learn each day, making sure that every day you ' |5 R0 ~7 c, |
learn some of every piece (instead of working on piece A, then later . c4 l. c  ?" f5 J& W9 Q
starting on piece B, etc.). Learning very short chunks helps you program 1 \" p/ ]" _6 c* T, P2 E
your physical movements much better.
- G4 w1 @( _9 z9 t' ?/ H
  |8 ~, M/ j7 Z, SThis brings up the even more excruciating techniques suggested by Manuel
! M) d3 @+ G- X1 ]3 SBarrueco. Make sure you know your right and left hand fingerings so
4 L. h. C0 x1 ]3 H) Y6 N+ w% Kthoroughly that you can do either separately.# T" V5 |+ E8 e  `+ a# V6 @
' n# K" y/ N+ ?% T! {) Y" E
For example, play the piece with the right hand only (i.e. all open
4 p/ Q* [6 B/ ~strings, but using the *EXACT* right hand fingerings).: B5 E: @+ ?) K" @
: U! d% v8 X5 F: Z2 s
Then, try playing the left hand alone. This is a bit harder, because it
+ K, g5 p: Z- h* u1 {doesn''t really necessarily function as well without the precision of the
, `" M( t' ?7 m% t3 {right hand. Barrueco''s solution is to mis-tune the guitar to some random/ h8 E- S0 b0 x, k6 e' v) b( d* i% ~
tuning (i.e. 6th to F, 5th to Ab, 3rd to G#, 1st to D#)...then play your
9 D: M# K2 H% E2 V9 r' e2 c; G8 Q2 lpiece, concentrating on plainingg the fingering perfectly.' a3 f$ n! q; m4 n3 H
2 h+ t$ E$ I: J6 @+ d+ j( z2 U
This is an excruciatingly difficult thing to do if you are primarily
1 a- D: n% N3 _+ t: `# V6 oan "aural" type (I am) - but it''s good, the totally "wrong-sounding"$ T/ r) ^8 U+ Q+ F; U( V! h
nature of this forces you to fight to not be distracted and concentrate8 `) q. ]3 O7 N! g$ W
on playing the fingering right.
6 `+ C* G% O! K: k
4 M; J0 z  ~6 V8 l& Q) v5 j; V4 iDo this *very* slowly to practice the fingering without relying on your
) v7 }4 t/ [0 m( \! b7 Q0 ^
8 S9 w  H) t* b+ r# |8 Z, y# d" ^* f. T' t) I4 _8 n: M
附"反弹吉他"的翻译:
  c" r! R% |3 `7 M7 ?2 l+ K  \0 Z' p6 E+ z  n" r
当回好人,给大致翻译一下:
2 e) O7 [+ F& ?' |# n' G
8 S6 E- [+ h  s3 ], m5 t怎样快速记住一个曲子* L3 y/ U6 q* I
6 B+ w% r* ?) B  k/ A5 `
有很多办法,最好尽量综合使用* F# Y1 r* y! D% J- i8 F
  |; ?7 x8 t8 S. M) L! u9 Z" i
首先是分析曲式,看看是2段体,3段体还是回旋曲,这样就可以把曲子分割成容易对付的几块,
" \6 w) I* t# o( ?# k: e/ I& h) m% Q, G; ]7 V$ `. C& C5 Y- k/ S
然后看每个段落和乐句,! P  V* B" M  E2 T/ y9 R
; ?5 R2 z0 W9 V9 p! u/ L; b
用耳朵记住整个曲子,你能不能不听录音,不用吉他把整个曲子唱出来?这个方法适合听觉导向的记忆者,
; t, n$ [& d. }6 ^9 U5 T* K- z+ \/ R! ]# D# S; d) C! m# B
视觉导向的把谱子放在高处往上看更容易记住,
3 ?- J- w1 M. c+ {- `* Q% Y' D, B0 Y- W' X7 c
很多西班牙的演奏家能从头到尾把曲子唱出来,3234323。。。。  l: @# x+ r' K  H+ _

3 d- t! B* \8 {5 b7 E; }大卫罗素从后边往前背。。。。
9 o1 Y0 L/ M, m0 a& \
6 T2 N& }/ X% j$ u何塞托马斯教学生用1个月记住一个30分钟的曲子,方法是订个计划,把曲子分成小块,每天学一块,顺序任意。。。。$ l" F8 d! j; [! \

3 h' X2 _# O/ E% V更精确的办法就是象八路爱科一样记住两手的指法,直到可以两手单独运动,
5 [: n0 q/ v# W+ q3 G. ~" U- P0 p1 S5 N; T& I
比如,光弹右手,都是空弦,指法要精确。。。
. F. c7 Z& K; y: S* }5 _5 S; q2 Q- E/ w
还可以只按左手,八路为了集中精力,把琴弦都给调乱了,这样就不会用右手了,对听觉记忆导向的人这样很难,但是很有效。。。
5 X% |2 g5 W! e1 N( u/ a' r* H+ q( ^; d0 r
很慢的这样练习 $ r' ]7 I0 t4 |% R7 }& S& }
音频应用店铺 音乐发布 中国原创歌词网
回复

使用道具 举报

您需要登录后才可以回帖 登录 | 快速注册

本版积分规则

小黑屋|手机版|音频应用|歌词网|投稿|中国原创歌词基地 ( 鄂ICP备13005321号-1 )

GMT+8, 2025-8-29 21:35 , Processed in 0.109568 second(s), 7 queries , Redis On.

Powered by Audio app

中国原创歌词网微信: 924177110

快速回复 返回顶部 返回列表