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How can I quickly memorize a piece?
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There are many approaches to take, and it''s probably a good idea to use$ ^! s! \2 m q! b; q+ |9 w
as many of them as possible.
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First, try to learn what the large scale structure of the piece is. Is it/ e( U2 Y% R/ M- r8 L
binary? Ternary? Rondo? That way you are basically beginning by cutting# b. ^! e- ?3 E6 q2 C7 M
it up into more manageable chunks.# s- d" `0 O7 ]8 ?4 P
2 e: y s) h5 WSecond, look for phrasing and other types of musical structures.
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Try to learn it by ear (can you sing the piece all the way through without
' ^. g$ P$ \4 ^2 Xthe music or the guitar?). This is easier for people who are more "aurally"
* R- V* b( C/ h7 Aorientated (like me).1 u! \% n" H# X9 N3 f# v6 v
# G* U7 {7 U: ~8 UIf you are more "visual" try to memorize the page to as great an extent as
3 v g( @$ B/ M1 @+ hyou can. The harp prof here gave a lecture about memory & learning
6 ?6 b. p5 Y) r) @: ~+ Ztechniques, and said that visual memory really was more stimulated by
+ P/ J0 {# t' A3 r+ L5 qlooking up (and to the left, I think) so if you can, try placing your music0 S2 w! Q1 @; P# d+ J; U
stand VERY high (for practice & learning) such that you are looking UP at6 C7 |, m4 Q! q7 h* g6 G6 A
the music.
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/ o2 ?& i8 ^8 @. a% vI knew many guitarists in Spain who memorized the solfege syllables - they3 z3 a& @7 j# i0 C4 ^! |( V& x
could sing their pieces from start to finish (mi re mi fa mi re mi...)
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Try to memorize the piece starting at the back (This is a tip from David* T2 A# g5 K1 |% u/ z# H
Russell) - we always go from front to back, often bogging down, so usually,) C: R) p8 c% W: ]0 G. B
the farther into a piece we go, the less familiar & comfortable it is. If
p, n' y" H7 p3 [/ m( u0 Qyou learn the LAST measure, then the next to last measure, etc. you are + F+ c6 n3 t. c/ G+ t1 E. h
setting up a situation where the farther you go, the MORE familiar and " |: A, A( A1 l4 y6 p
comfortable things are.! f8 ]1 T! d+ N8 Q: s
/ p/ ?+ Y$ {! N* o3 XThis also brings up the issue of learning single measures (apart from
$ \: Y9 i' u! ]. G# uwhatever musical context they might have). Jose Tomas used this technique$ w1 {) G# C% Q% ~
as a way for his students to learn 30 minutes of *new* repertoire in# a5 f7 Q! T2 M9 h& ^6 x
1 month: at the beginning, make a learning plan, in which you assing
" s" E/ P( G& ~( lyourself X measures to learn each day, making sure that every day you 4 F& O2 i" w& G# i
learn some of every piece (instead of working on piece A, then later
- g1 k& l6 B" Rstarting on piece B, etc.). Learning very short chunks helps you program
?4 Q* \- U2 ^# Vyour physical movements much better.
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1 B2 d& I1 G# A: {This brings up the even more excruciating techniques suggested by Manuel
/ m# R# t- E7 O$ F/ m3 iBarrueco. Make sure you know your right and left hand fingerings so* v$ S' w* E$ B \: `
thoroughly that you can do either separately.
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For example, play the piece with the right hand only (i.e. all open
! {% L* B! O! q( h/ Y2 g. Q' istrings, but using the *EXACT* right hand fingerings). C0 d6 u; M4 A( P( ]7 Z1 Q- j
: D- x: G* ]- |0 aThen, try playing the left hand alone. This is a bit harder, because it& ^" X4 c4 M/ c* N( N% \; k
doesn''t really necessarily function as well without the precision of the
- T( t0 c" d! g" y. p/ qright hand. Barrueco''s solution is to mis-tune the guitar to some random
0 w/ w+ D7 @( htuning (i.e. 6th to F, 5th to Ab, 3rd to G#, 1st to D#)...then play your
1 E3 O+ j; Y7 z- P1 B# ^4 g) Xpiece, concentrating on plainingg the fingering perfectly.
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5 C- ^/ V( Q: A4 o& N& ]This is an excruciatingly difficult thing to do if you are primarily. S' y6 a; Q& h: |& V, P- V" V7 O
an "aural" type (I am) - but it''s good, the totally "wrong-sounding"
0 H* _9 b" }6 N+ r6 T$ Anature of this forces you to fight to not be distracted and concentrate
2 @8 u, U9 B* _ jon playing the fingering right.
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' | |4 e6 q/ ~7 ?' FDo this *very* slowly to practice the fingering without relying on your' H p) @' Z! {' B7 X! k1 B+ f" R
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* A U! Y- a6 o2 ]1 c附"反弹吉他"的翻译:' e$ v# _# x1 M# ]! O
9 b. }1 |/ z- S6 c当回好人,给大致翻译一下:
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怎样快速记住一个曲子
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' V3 N/ M7 w8 y9 W有很多办法,最好尽量综合使用
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首先是分析曲式,看看是2段体,3段体还是回旋曲,这样就可以把曲子分割成容易对付的几块,6 {5 |, C- V; Y J) l' Y3 W* N( Y
9 m) s. k% i5 l* a/ c: n然后看每个段落和乐句,
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用耳朵记住整个曲子,你能不能不听录音,不用吉他把整个曲子唱出来?这个方法适合听觉导向的记忆者,6 u% D% v- d0 D" A
3 `; V6 r7 E: u5 G( H1 ~0 W; e视觉导向的把谱子放在高处往上看更容易记住,
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0 `. }% g5 |7 K' y- o/ I! d& v$ s. {很多西班牙的演奏家能从头到尾把曲子唱出来,3234323。。。。
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大卫罗素从后边往前背。。。。
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何塞托马斯教学生用1个月记住一个30分钟的曲子,方法是订个计划,把曲子分成小块,每天学一块,顺序任意。。。。
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9 H% Q" T# [% X6 l9 |/ W6 j更精确的办法就是象八路爱科一样记住两手的指法,直到可以两手单独运动,. `/ l' H5 m! H& j5 j
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比如,光弹右手,都是空弦,指法要精确。。。
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2 S; P1 z3 ]; E9 Q. \0 O& \还可以只按左手,八路为了集中精力,把琴弦都给调乱了,这样就不会用右手了,对听觉记忆导向的人这样很难,但是很有效。。。
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很慢的这样练习 # j( ?( B1 f6 V* }8 f+ A* X# p0 Z
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